Buckwild Releases Instrumental Tape, ‘Abandoned Beats Volume One’
The DITC member digs in the crate.
The DITC member digs in the crate.
Being an architect of one of the most revered eras in hip-hop comes with a price. Not only is every move scrutinized and every progressive step analyzed to ensure its hip-hopness, but one is expected to speak for an entire generation, and sometimes, the entire landscape of hip-hop. For Showbiz of the legendary Diggin’ in the Crates crew, that burden is never too much to bear. The producer behind classics like “Sound of da Police” and “Soul Clap” while proclaiming the greatness of “Panda” doesn’t feel any pressure, and that’s because he can stand behind what he’s done and knows where he’s going. Whether it’s helping put together his team’s BPM web series or executive-producing the new D.I.T.C. project Studios or O.C.’s upcoming album Same Moon, Same Sun, one can rest easy knowing Show is doing any and everything except mailing it in. In this exclusive interview, Showbiz talks about his role on the new Studios album, how he’s grown as a producer, his production techniques, and much more.
It’s been a long time coming, but the new Diggin’ in the Crates album, Studios, is here. What are your thoughts on how Studios came out?
I executive produced the album, so of course I’m very satisfied with the outcome. It took me a couple of months to put it together and I’m happy with the way it came out it did. I’m very excited about it and we’ve been getting very good reviews on it.
When you look at executive producing an album like this, do you feel any pressure, especially with how long fans have been asking for a new Diggin’ in the Crates project?
Some artists spend their entire career chasing a particular sound, and one of the most hip-hop of hip-hop soundscapes is that classic Queens sound. Gutter sample, hard drums, and the rhymes to match. While Meyhem Lauren can sound comfortable over any style of beat, he sounds most comfortable and most in his element over the gritty production of producers like J-Love, Harry Fraud, and of course Buckwild. Together, Meyhem worked with the legendary Diggin’ in the Crates producer on Silk Pyramids, an LP showcasing Meyhem’s talent for putting words together behind Buckwild’s classic brand of boom-bap. ProfileWild sits down with Meyhem Laurenovitch to talk about Silk Pyramids, what it’s like working with Buckwild, how his rhymes come together, his top ten or so Queens albums, his album with DJ Muggs, Action Bronson, what he’s been cooking, and how Dani’s House of Pizza fuels his rhymes.
Here are some quotes from the feature:
“I make wax, I pay tax, I don’t show cracks,” OC rapped on “Constables,” one of the many standout cuts off his debut album Word…Life. Nearly twenty years after that seminal album dropped, OC’s stayed true to those words, releasing a slew of albums showcasing his lyrical acrobatics with a variety of talented producers, including Soul Supreme, Apollo Brown, and most recently, Ray West.
O’s latest album, Ray’s Cafe, a pairing with producer/engineer and co-head of the recently created boutique label Red Apples 45 Ray West, provides jazz-infused backdrops that compliment Omar Credle’s smooth baritone. In a rare interview with HipHopGame, the legendary OC talks about the making of Ray’s Cafe, reflects on Word…Life and the moves he’s made, his immortal crew Diggin’ in the Crates, and much more in this can’t-miss interview.
Meyhem Laurenovitch stops by HipHopGame to talk about his Buckwild project, how an album with DJ Muggs came about, his relationship with Action Bronson, and more in this exclusive interview. (more…)
“For real though, I got the underground boss shit wrapped around my finger, not a rapper or a singer that’s quite as ill as I am,” Celph Titled proclaims on “Step Correctly” before threatening to “pop out your eyes and scramble them bitches next to the bacon in my frying pan.” Blending psychotic yet incredibly clever punchlines has kept Celph Titled as an underground favorite for years as a solo artist, member of the Demigodz and Army of the Pharaohs and as a frequent collaborator with Styles of Beyond and Linkin Park frontman Mike Shinoda.