Few artists embody New York hip-hop the way St. Laz does. From the care in each verse down to the syllable to the impressive catalogue he’s released over the years, Laz’s place in hip-hop is cemented like the Brownsville sidewalks he came up on. From putting together his Pottersfield crew to working with artists like Jadakiss, Jim Jones, and DJ Kay Slay, Laz has not only gotten the listens and views, but he’s crafted a sound that translates both the pain and the hope of the come up. Taking some time to talk about his origins in the game, his PF team, why he can’t stop making music, and much more, Laz drops some gems in this exclusive interview while dropping an exclusive 730 cut at the end.
- Interviewsposted March 16, 2015 / No Comments
“I’m a petal from an iron rose/My kung-fu is the iron robe,” Vast Aire raps on “Iron Rose.” From his animated bars to Vordul Mega’s calculated, piercing lyrics, Can Ox proves the Iron Galaxy Clique is back and stronger than ever. As their new album, Blade of the Ronin, continues to spread like an iron eagle, Can Ox proves they can pick up where they left off with their critically-acclaimed debut Cold Vein, an album that continues to garner praise even fourteen years after its release date. While Vast Aire and Vordul Mega purused solo careers, it wasn’t enough for Can Ox fans. There’s something about that IGC chemistry. Sonically, it’s a new time and a new sound for Cannibal Ox. There’s no more spacy El-P-produced bangers like there was on Cold Vein. Instead, the duo enlisted producer Bill Cosmiq to handle the sounds on Blade of the Ronin, with the exception of Black Milk, who produced “Blade: The Art of Ox.” Before heading out to Chicago for a show, Vast Aire takes some time to chop it up with ProfileWild about coming back together with Vordul, why Can Ox is so beloved by fans and the praises only grow larger over time, reflect on Cold Vein, remember Camu Tao, what it’d be if he ran into El-P and Cage today, and drop a dope acapella that you should recognize to close out the interview.
- Interviewsposted March 13, 2015 / No Comments
It’s hard to hear hunger the way one can’t touch a shadow or smell thundering footsteps. But listen to some Starvin B, whether it’s his latest project, Starvicide, or his critically-acclaimed Blood from a Stone, and the sound of hunger becomes more tangible than ever. Starvin B’s music encapsulates the core of the gritty yet hopeful music Queens is known for. Over hard breaks and minimalist samples, Starvin’ B’s story is one of pain and optimism, all the while laced with lyrical potency that has caught the ears of legends like Tragedy Khadafi. ProfileWild catches up with Starvin B to hear his story, talk about his latest projects, what it’s like working with Trag, and much more in this exclusive interview. Stay tuned for a story, talk about his latest projects, what it’s like working with Trag, and much more in this exclusive interview. Stay tuned for an exclusive acapella after the interview too.
- Interviewsposted March 10, 2015 / No Comments
“Each day serves as a reminder/that I’m years away from getting that crib down in Carolina/that I promised my mama,” D-Black spits on “Devil On Me,” a standout track on a standout project, Tunnel Vision, available for free download. Expect to hear that type of raw honesty and emotion in everything D-Black touches, from a song about a failed relationship to why he’s one of the illest on the come-up. The Bronx product has spent the better part of the last decade releasing consistently dope music, from a regular series Mr. October to a slew of underground releases. Fresh off a hiatus, D-Black is not only back, but back for vengeance on any beat unfortunate enough to be cued up in Pro Tools when he approaches the mic. D-Black speaks to ProfileWild about his absence, returning with two quality projects, Tunnel Vision and Heartbreak Hotel, rapping about relationships, his creative process, and much more. After the interview, D-Black survives a round in the random question generator and leaves the listener with a dope acapella.
- Interviewsposted March 9, 2015 / No Comments
Pay attention to the drums and you’ll know if you’re rocking to an Ice Rocks beat. Hard, crisp, and live is that consistent sound, whether it’s with artists like Meyhem Lauren and Eastkoast or his own crew, DXA. From finding inspiration in legends like RZA and Large Pro to forming his DXA crew with his boys, Ice Rocks’ foundation is rooted in hip-hop. On the rise as a talented producer with an incredible sound, Ice Rocks talks working with Meyhem Lauren on the new More Cashmere album, the importance of vinyl, working with Chopped Herring, his production process, and much more in this exclusive interview. As a bonus, Ice Rocks lets an exclusive beat go. If you’ve got what it takes, rock to it and tweet it to @icerocksdxa and @seven3zero and you may hear it on a few sites. And either way, check out the jewels Ice Rocks drops in this dope interview.
- Interviewsposted March 5, 2015 / 1 Comment
After nine albums, one would expect and even allow an artist to start running out of fresh topics and ideas. With junclassic, though, that’s not what’s happening. On his tenth album, Words are Weapons, jun spits fresh perspectives on important social issues complete with his trademark punchlines and acid delivery. From the Maniac-produced boom-bap of “Lunch Table” to the introspective “Babe Ruth,” jun cements his place as a voice to be heard and that he’s only getting better with time. Finding some time on a cold February night, jun sits down with ProfileWild to discuss his tenth album and how his songs and albums come together to social issues like police brutality and protesting the acquittal of Eric Garner’s murderer. Another must-hear interview from PW and make sure you stay tuned after the interview for a dope 730 freestyle.